Portal:Pan-Africanism
IntroductionWelcome to the Pan-Africanism portal!
Bienvenue sur le portail panafricanisme!  .jpg) Pan-Africanism is a worldwide movement that aims to encourage and strengthen bonds of solidarity between all indigenous peoples and diasporas of African ancestry. Based on a common goal dating back to the Atlantic slave trade, the movement extends beyond continental Africans with a substantial support base among the African diaspora in the Americas and Europe. Pan-Africanism can be said to have its origins in the struggles of the African people against enslavement and colonization and this struggle may be traced back to the first resistance on slave ships—rebellions and suicides—through the constant plantation and colonial uprisings and the "Back to Africa" movements of the 19th century. Based on the belief that unity is vital to economic, social, and political progress, it aims to "unify and uplift" people of African ancestry. (Full article...) Selected article African nationalism is an umbrella term which refers to a group of political ideologies, mainly within Sub-Saharan Africa, which are based on the idea of national self-determination and the creation of nation states. Selected biography
Edward Wilmot Blyden (3 August 1832 – 7 February 1912) was an educator, writer, diplomat, and politician primarily in Liberia. Born in the West Indies, he joined the free black immigrants from the United States who migrated to the region. He taught for five years in the British West African Colony of Sierra Leone in the early 20th century. His writings on pan-Africanism were influential in both colonies. These were founded during the slavery years for the resettlement of free blacks from Great Britain and the United States. Blyden's writings attracted attention in the sponsoring countries as well. He believed that Zionism was a model for what he called Ethiopianism, and that African Americans could return to Africa and redeem it. He believed political independence to be a prerequisite for economic independence, and argued that Africans must counter the neo-colonial policies of former colonial powers. Selected history
 The Battle of Isandlwana (alternative spelling: Isandhlwana) on 22 January 1879 was the first major encounter in the Anglo–Zulu War between the British Empire and the Zulu Kingdom. Eleven days after the British commenced their invasion of Zululand in South Africa, a Zulu force of some 20,000 warriors attacked a portion of the British main column consisting of about 1,800 British, colonial and native troops and perhaps 400 civilians. The Zulus were equipped mainly with the traditional assegai iron spears and cow-hide shields, but also had a number of muskets and old rifles. The British and colonial troops were armed with the modern Martini-Henry breech-loading rifle and two 7-pounder (3-inch, 76 mm) mountain guns deployed as field guns, as well as a Hale rocket battery. Despite a vast disadvantage in weapons technology, the Zulus defeated the British, killing over 1,300 troops, including all those out on the forward firing line. The battle was a decisive victory for the Zulus and caused the defeat of the first British invasion of Zululand. The British Army had suffered its worst defeat against an indigenous foe with vastly inferior military technology. Selected culture  African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the native African, African diasporas, such as African American, Caribbean and other American art. Despite this diversity, there are some unifying artistic themes when considering the totality of the visual culture from the continent of Africa. Masquerade, metalwork, sculpture, architecture, fiber art, and dance are important art forms across Africa and may be included in the study of African art. The term "African art" does not usually include the art of the North African areas along the Mediterranean coast, as such areas had long been part of different traditions. For more than a millennium, the art of such areas had formed part of Islamic art, although with many particular characteristics. The art of Ethiopia, with a long Christian tradition, is also different from that of most of Africa, where traditional African religion (with Islam in the north) was dominant until relatively recently. African art includes ancient art, Muslim art of North and West Africa, the Christian art of East Africa, and the ritualistic art of these and other regions. Most African sculpture was historically in wood and other natural materials that have not survived from earlier than, at most, a few centuries ago; older pottery figures can be found from a number of areas. Masks are important elements in the art of many peoples, along with human figures, often highly stylized. There is a vast variety of styles, often varying within the same context of origin depending on the use of the object, but wide regional trends are apparent; sculpture is most common among "groups of settled cultivators in the areas drained by the Niger and Congo rivers" in West Africa. Direct images of deities are relatively infrequent, but masks in particular are or were often made for religious ceremonies; today many are made for tourists as "airport art". Since the late 19th century there has been an increasing amount of African art in Western collections, the finest pieces of which are now prominently displayed. African mask art has had an important influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction. West African cultures developed bronze casting for reliefs, like the famous Benin Bronzes, to decorate palaces and for highly naturalistic royal heads from around the Bini town of Benin City, Edo State, in terracotta as well as metal, from the 12th–14th centuries. Akan goldweights are a form of small metal sculptures produced over the period 1400–1900; some apparently represent proverbs, contributing a narrative element rare in African sculpture; and royal regalia included impressive gold sculptured elements. Many West African figures are used in religious rituals and are often coated with materials placed on them for ceremonial offerings. The Mande-speaking peoples of the same region make pieces from wood with broad, flat surfaces and arms and legs shaped like cylinders. In Central Africa, however, the main distinguishing characteristics include heart-shaped faces that are curved inward and display patterns of circles and dots. Selected images
OrganisationsAll-African People's Revolutionary Party · African Society for Cultural Relations with Independent Africa · African Unification Front · African Union · African Queens and Women Cultural Leaders Network · Conseil de l'Entente · Convention People's Party · East African Community · Economic Freedom Fighters · Global Afrikan Congress · International African Service Bureau · International League for Darker People · Organisation of African Unity · Pan African Association · Pan-African Congress · Pan Africanist Congress of Azania · Rassemblement Démocratique Africain · Pan Africa Chemistry Network · Pan African Federation of Accountants · Pan-African Freedom Movement for East and Central Africa · Sahara and Sahel Observatory · UNIA-ACL · ZANU–PF
See also
& Festivals_(cropped)_1.jpg) Photo by Helinä Rautavaara (1977) Publications
Films and TVAudios and videosDid you know ...that on arriving in Cuba in 1920, the SS Yarmouth (crew pictured), flagship of Marcus Garvey's Black Star Line, was hailed as the "Ark of the Covenant of the colored people"?
Selected quotesOn the subject of "Black self-hatred", the African-American scholar and Pan-Africanist Dr. Amos N. Wilson said:
Pan-Africanism topics
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