The Cult of the Holy Spirit (Portuguese: Culto do Divino Espírito Santo), also known as the Cult of the Empire of the Holy Spirit (Culto do Império do Divino Espírito Santo), is a religious sub-culture, inspired by Christian millenarianmystics, associated with AzoreanCatholicidentity, consisting of iconography, architecture, and religious practices that have continued in many communities of the archipelago as well as the broader Portuguese diaspora. Beyond the Azores, the Cult of the Holy Spirit is alive in parts of Brazil (where it was established three centuries ago) and pockets of Portuguese settlers in North America. The Cult of the Holy Spirit involves traditional rituals and religious celebrations of these faith communities.
In its original sense, "cult" referred to an accepted religious practice, in sharp contrast to the term's modern, negative connotation. Devotion to the Holy Spirit is part of classical Catholic dogma and is the inspiration of several Catholic religious institutes, including the Spiritans, but what is considered here has peculiar characteristics of its own. (Full article...)
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Male
The Madeira firecrest, Madeira kinglet, or Madeiracrest (Regulus madeirensis) is a very small passerine bird endemic to the island of Madeira. It is a member of the kinglet family. Before it was recognised as a separate species in 2003, it was classified as a subspecies of the common firecrest. It differs in appearance and vocalisations from its relative, and genetic analysis has confirmed it as a different species. The Madeiran bird has green upperparts, whitish underparts and two white wingbars, and a distinctive head pattern with a black eye stripe, short white supercilium, and a crest that is mainly orange in the male and yellow in the female.
The female Madeira firecrest builds a spherical nest from cobwebs, moss and small twigs, and she incubates the eggs and broods the chicks on her own. Both parents feed the young. This species forages for insects and other small invertebrates in tree heath, laurisilva and other woodland. It is common within its restricted range, and is not considered to be threatened. (Full article...)
Image 5Map of Spain and Portugal showing the conquest of Hispania from 220 B.C. to 19 B.C. and provincial borders. It is based on other maps; the territorial advances and provincial borders are illustrative. (from History of Portugal)
Image 19The frontispiece of the 1826 Portuguese Constitution featuring King-Emperor Pedro IV and his daughter Queen Maria II (from History of Portugal)
Image 20The main language areas in Iberia, circa 300 BC. (from History of Portugal)
Image 21Typical Portuguese filigree heart shaped pendant, an iconic item in Portuguese fashion and design. (from Culture of Portugal)
Image 23The arrival of the Portuguese in Japan, the first Europeans to reach it, initiating the Nanban ("southern barbarian") period of active commercial and cultural exchange between Japan and the West. (from History of Portugal)
Image 24Portuguese colonies in Africa by the time of the Colonial War. (from History of Portugal)
Vasco da Gama was an ironclad of the Portuguese Navy built in the 1870s by the Thames Iron Works in London. Ordered to strengthen the defenses of the Portuguese capital of Lisbon, Vasco da Gama was launched in 1875 and completed in 1878. She served as the flagship of the Portuguese fleet for the majority of her long and peaceful career. She was rebuilt and heavily modernized between 1901 and 1903. Her crew was involved in revolts in 1913 and 1914; during the latter event, they bombarded Lisbon and killed around one hundred people. Long-since obsolete by the 1930s, Vasco da Gama was finally sold for scrapping in 1935. (Full article...)
Maria do Carmo Miranda da CunhaGCIH, OMC (9 February 1909 – 5 August 1955), known professionally as Carmen Miranda (Portuguese pronunciation:[ˈkaʁmẽjmiˈɾɐ̃dɐ]), was a Portuguese-born Brazilian singer, dancer, and actress. Nicknamed "The Brazilian Bombshell", she was known for her signature fruit hat outfit that she wore in her American films.
As a young woman, Miranda designed clothes and hats in a boutique before making her debut as a singer, recording with composer Josué de Barros in 1929. Miranda's 1930 recording of "Taí (Pra Você Gostar de Mim)", written by Joubert de Carvalho, catapulted her to stardom in Brazil as the foremost interpreter of samba. (Full article...)
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